Showing posts with label Fairytale. Show all posts
Showing posts with label Fairytale. Show all posts

Sunday, August 22, 2021

The Green Knight (2021)


The story of "The Green Knight" is part of the Arthur and the knights of the round table lore. In essence is a typical "quest for glory" fantasy tale, and not a very complex one. That's why I didn't expect much potential for a movie made out of this. After watching it I stick to this opinion, however limiting it to the narrative side. Besides that, "The Green Knight" can be a lesson of what can be achieved visually in a movie, even one with a somewhat simple subject.

I think that the director, David Lowery, was quite happy with the space offered by the vague context of the legends, which gives indeed quite some freedom of expression. On the other hand that's probably exactly what will confuse somebody who doesn't know much about the subject. It's probably one of the few situations where is actually recommended to know the story in advance in order to figure out what the movie wants to say. Pretty much the same as in the case of a known play you see the n-th time, when you'll probably focus mostly on how it's stage, and not on what's about.

A while ago I've read a written version of the legend, and from what I still remember probably mixed up with what the movie reminded me, the story went something like this. "The Green Knight", a mysterious character shows up during the Christmas day before king Arthur's table and proposes a game: he offers to be hit by anyone who wants to do it given that who does it has the guts to receive the same strike after one year. Gawain, the youngest of the knights, and also the one lacking any acts of courage, accepts the challenge, confident that this will be done by beheading his opponent. To everybody's surprise the green knight picks up his head from the bloody floor and leaves not before reminding Gawain that within a year he'll wait for him at the Green Chapel to close the game. The year passes, and Gawain is pressed to honor his word, starting his journey towards the meeting place. When he's about to end it, Gawain stops at some castle where another mysterious knight and his wife offer him shelter for a couple days. This knight proposes another game - for the time of Gawain's stay, his host will go hunting and will provide Gawain with what he's catching given that Gawain gives him whatever he will receive while staying in the castle. From that point on, I don't remember that well how the legend moved on, except the fact that Gawain respects the deal up to the end when the wife of his host trying to seduce Gawain kisses him and offers a sash to protect him from any physical harm. Gawain offers to the master of the castle the kiss back as agreed, but keeps the sash for himself hoping it'll protect him in his final confrontation. It all ends with the showdown, when the green knight just makes a scratch on Gawain's neck, after which he discloses his identity as his former host and the scratch being the punishment for hiding the sash, but also harming him so little as a reward for honoring the rest of the deal.

The movie deviates a bit towards the end, but anyway the differences aren't that far from the above version. Initially I was surprised by the turn it took, just to understand where it wanted to get at the final scene. But to figure it out you probably need to know the story from start. The adaptation has anyway lots of symbolism integrated in it, but unfortunately I didn't have patience to properly digest that. I couldn't say it did bore me, but clearly, it's not a movie with a typical action development. The main attraction remain its visuals. In brief, "The Green Knight" really deserves a watch for that only. The rest depends on your mood.

Rating: 3 out of 5

Monday, March 23, 2015

Cinderella (2015) vs. Maleficent (2014)



... or to make it quick: how "good" looses lamely against "evil" in the last two classic Perrault/Grimm adaptations. Even though the critics' result is the opposite. Not for me. Why? Well, let's see ...

I've always thought that "Cinderella" and "Sleeping Beauty" are the most boring stories in the "damsel in distress" set (at least in Snow White we have a poisonous apple and dwarfs, in Red Riding Hood a disguised wolf, and in Rapunzel we can study the hair thread toughness in domestic constructions - e.g., ladders). So, I didn't expect much neither from "Maleficent", nor from "Cinderella". The surprise came, however, from where I wasn't expecting anything at all. After all in Cinderella we still have something: the glass shoe search, but in Sleeping Beauty... : a curse, the damsel falls asleep, the prince arrives, the magic kiss, end of story. Nothing to create at least some fake suspense before the expected happy-end. Well, no .. in "Maleficent" the tale is a bit more complicated. The script takes quite a distance from the classic story. As main action thread we're following the life of the evil fairy godmother who drops the curse on the little princess, (spoiler:) and after gets to regret it, and after ... well, after it's written in the book :) (not really). Let's say just that the ending .. or better said the story climax is surprising. Probably so surprising that the critics pretty much bashed "Maleficent"... Not the same thing for "Cinderella", which seems to be relatively well received by now. Why not? We have a classic tale, told in the finest detail, with little digression. So that children will still enjoy their dreams after. No nightmare potential here.

I can't say that "Cinderella" is a bad movie. Kenneth Branagh managed to get the max out of a story by keeping it as it is: light. For bedtime. With a relaxed tone, a good casting, a decent script, cool effects, everything in its place. I would've liked more than that. I did not expect to see the unwritten side as in "Maleficent", knowing that Branagh doesn't cross much the borders of the book, but I did hope for something ... I don't know ... More evilish evil characters, more tension when looking for the girl with the right foot ... Something that I've seen around 20 years ago, when this guy was trashed by critics for what I consider still to be the best "Frankenstein" (yup, the one with DeNiro). Way too much drama, intensity and depth they said it was there. That's what's missing in "Cinderella".

The conclusion is that if you want a pure bedtime story, you're probably in the apparently larger target group of viewers for who the critics recommend "Cinderella". If you're open minded enough to accept a cinematic approach that's more complex than the literary piece (completely opposite to the usual book-to-screen simplification) then ... choose the "dark" side ;)

Rating: Maleficent - 4, Cinderella - 3








Sunday, April 13, 2014

Jack and the Beanstalk: The Real Story (2001)




I see that somehow it happens close to Easter to sync with a movie that has golden eggs = another adaptation of "Jack and the Beanstalk". Well, at least last year it was the same .. I don't know how many other versions are left there, but now we're talking about ... "The Real Story", so maybe I can stop after this one. Anyway, if the last entries were written in a rush because I didn't have time, now I'm somewhere between headaches & stomach pains, so I'll try to cut it short again ...

What I've just watched is a pretty old mini-series, made for TV. And that's visible in the budget, effects and production design overall = don't expect much. Probably also to the budget relates the acting level too = there are enough scenes that seem done with a single take, like it wasn't time for more than that. Still Mia Sara was charming, as usual, so .. let's get over this, although ... We're getting to the script which is also a mess: stupid lines, plot holes and lots of cheesy stuff. If I should pick now a movie for which I have to make a certain bet that who sees it cannot hold from eye-rolling, "Jack and the Beanstalk" is the winner. And still ...

And still we have something that I've left for the end this time, just to wrap it up on the plus side: the story. Yup ... the story starts with Jack, who's not as expected the poor countryside kid who made a bad bargain in selling a cow for some beans (well .. we have that too, but a bit further). Jack is the chairman of a gigantic enterprise running business that spans from ecologic agriculture to gambling. The problem is that Jack gets close to 40, age at which all the male genealogical tree side moved the domicile two-feet-under. But our guy is less concerned about the "curse" and more of a problem that appears somewhere on British territory, at the family's castle that should be transformed in a casino. The excavation work get stuck into a gigantic skeleton ... take a wild guess who was buried there ;) Well, further we get somehow to "the classic story", and quickly after we learn "the real story" version of it, about which I'm not gonna say anything. Except that it mixes somehow drama, romance, comedy, very dark secrets, (sort of) time travel, and others. A very surprising melange I would say, and one I can truly appreciate for the originality of the ideas. However, the authors probably got bored when it came to the part where the story has to be translated into an actual screenplay. But if you like fairytales ;) and especially re-told in a different manner ... this one deserves a try.

Rating: 3 out of 5 (at the bottom limit)


Jack and the Beanstalk: The Real Story (2001) by m0vietrailerpark