Magic in the Moonlight (2014)

I think I wrote before that if you've seen a movie by Woody Allen, you've seen them all, or to not sound that mean, at least a part of each of them. So, that's why I've never liked much Woody Allen = it just seemed boring. There are just two categories - romantic comedies or dramas with some hint of romance. But either my taste got "softened" by my age, or I started finding also some which have a slightly different nuance in the extremely prolific repertoire of the aforementioned (after all, at one movie per year it's actually hard I guess to find variation). "Magic in the Moonlight" is one of these more fortunate case, or at least this is what the trailer suggests...

Sometime in the 1920s: Stanley is a well-known magician, going with Wei Ling Soo as stage name, who besides the artistic career also formed a reputation of debunking fake mediums. So, he cannot resist the invitation of a fellow magician, old childhood friend, who asks him to investigate Sophie, a young lady posing as able to talk to spirits, who infiltrated into a rich family somewhere in South of France, making them believe she's the only way to contact the late head of the house. That's the starting point, and it doesn't sound bad at all.

The movie's part of the comedy area of Woody Allen, and it obviously keeps a lot of the specific elements = the characters construction, dialogues, etc. However, the context that's slightly more exotic and the location elements that add to the general feeling making it look a bit more like something by Alexander Payne ("Sideways", "Descendants"), give the movie some originality, enough to make it look different than just another episode of an anthology series. It's not something to stir strong laughs, but it has its humor, and even though it doesn't try to rival with Agatha Christie on keeping the mystery = you get quite quickly the answer on "who's the killer" in the story, it still doesn't lose you. That's because you have something left - to see how the romance evolves in all the context (even though that's predictable too). Probably this is also the disappointing part, in the sense that you'll probably expect something more elaborate, not just the simplistic solution you're offered. But after all, it's a light movie, relaxing, and not trying more than that. Something for a vacation :) Just the opportunity to end my 2019 chapter with a: Happy Holidays! & hopefully a better new year to come ;)

Rating: 3.5 out of 5

The Irishman (2019)

To be clear from start where we stand, and since I'm not in the best writing mood and also I don't want to get too long, for me "The Irishman" compared to "Goodfellas" seemed like the new "Jumanji" vs. the old "Jumanji" (the new = the one of two years ago, because for the latest one I won't lose time anymore). Yeah, I know that the new "Jumanji" is ranked better than the old one (maybe I'm getting older, but... come on), exactly the way "The Irishman" got in a couple days to be considered by at least a part of the critics as the best of Scorsese. Really?...

So, I said I don't want to get long with this = if you want the full story, Wikipedia search for Jimmy Hoffa, union leader in the '70s in US with some mafia connections, and the unfortunate protagonist of one the most controversial disappearances ever, not solved by today. Unofficially, at 30 years after the event, an Irish guy from the close circle of Hoffa, Frank Sheeran, on his death bed makes a stunning confession - he killed Hoffa... and also Joe Gallo, another mobster who's killer's left unknown... and even other hits of the same type... and also transported weapons for the Bay of Pigs invasion. All these so cleverly put together, that he didn't get charged for any, and the FBI still has the case officially unsolved. It's an excellent subject for a best-seller, and now for a top grossing movie. I don't say that everything's fake, but still it looks too much like a fishing story, and the fish might not be that big.

But the movie, how is the movie.. well, even the new "Jumanji" is ok in some parts. "The Irishman" starts well, with a bit of a "Godfather" feeling that you don't meet nowadays anymore, but soon it starts to hit you with some not so nice stuff. The effects and/or make-up to rejuvenate De Niro didn't look more artificial since "J. Edgar". De Niro is more Italian than Irish, and as well as he gets his role played, it doesn't really completely belong there - in comparison is enough to look at Ray Stevenson in "Kill the Irishman", a much less pretentious movie some years ago, also set in the mob wars niche. Hoffa didn't have Italian roots as Pacino has, although here the contrast is not so big, but again, Jack Nicholson in "Hoffa" directed by Danny De Vito, which I've seen long long ago still stays in my mind as more credible. On the other hand, we have a comeback on screen after a very long break of Joe Pesci, which is indeed and undeniable made for the role he plays.

What's left to say - the movie is very long, and the ending even longer - I've never had this feeling of extra unnecessary lengths anywhere else except "LoTR: Return of the King" after the ring is melted, or in the latest "Avengers", after... well, I don't remember after what, completely forgettable. Even so, it's a movie to see. Until the end, the script is written sufficiently ok to keep you there. Technically: camera work, editing (minus the effects I was saying) is top class. And if that doesn't move you, at least for the fact that you don't get to see much often something in this genre that reaches a decent quality.

Rating: 3.5 out of 5

Winter-Spring 2019-2020 Movie Preview - Part 2

As usual, there aren't many title yet announced for next Spring, so there's not much room for a selection. To get into the subject, for next March we have a remake of "Mulan", live motion this time. The first trailer doesn't say much, but given that it's a remake I doubt any spoilers were required.

In April we move off from the usual "X-Men" line in "The New Mutants", with a much darker look, so probably a bit more mature. The only part that seems to connect the two is the Marvel logo. I say that's promising, or at least interesting.

Finally, in May we have the already postponed released date for "Artemis Fowl", a potential successor of "Harry Potter" = the first episode that moves to the big screen based on another series of books in the same genre.

We end, therefore, this round of preview = back to difficult stuff = let's see what subject I manage to find out for the next entry ;)